Steppenwolf for Young Adults Presents THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME Review – We Can Do Anything

A boy stands on top of a grey box, about 4 feet off the ground. He begins to speak about his dream of becoming an astronaut, far away from his worries and anxieties, and around only what he loves. As he does this, a galaxy of stars, orbits, and the astral river of our universe emblazons the entire back of the stage, and the columns on stage, that before were simple in appearance, are imbued with a neon blue glow. They rotate with the galaxy as the boy is lifted into the air, being held up by another actor’s feet like a child playing airplane. The box he’s standing on is cascaded away, but the boy still stands on the outstretched limbs of the other actors. The columns whir and spir as the ethereal techno score crescendos, only to be cut off abruptly by the boy’s father, who has grown weary of his son’s exuberance.

“All of the Other Children In My School Are Stupid”

The Curious Incident of the Dog in the Night-Time follows Christopher, a 15 year-old boy on the spectrum living in Swindon, England, and his investigation into the mysterious murder of Mrs.Shears’s dog next door, who was killed by pitchfork. In uncovering the facts, and answering more and more questions that arise, Christopher finds himself at odds with his family, his environment, and the world at large. What playwright Simon Stephens makes sure persists through all of this, however, is Christopher’s persistent and effervescent wonder. A neighborhood detective story becomes an absolute thrillride, with satisfying twists and turns that fans of any whodunnit-type story will enjoy, be it Agatha Christie or American Vandal. Terry Bell’s Christopher is reason enough to see this show, because of how honestly he portrays autism, at least to this viewer with experience in special education. Endlessly observant, earnest, and mischievous, Bell gives a captivating performance. There wasn’t a single moment where Christopher seemed like a caricature; he was simply an intelligent and imaginative boy, determined to blast through any obstacles in front of him.

Steppenwolf for Young Adults THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME
(L to R) Christopher M. Walsh (Uncle Terry/Station Policeman/Ensemble), Terry Bell (Christopher) and Eunice Woods (Mrs. Shears/Ensemble)
Steppenwolf for Young Adults THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME
(L to R) Cedric Mays (Ed) and Terry Bell (Christopher); in Steppenwolf for Young Adults’ production of The Curious Incident of the Dog
Steppenwolf for Young Adults THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME
(L to R) ensemble member Caroline Neff (Siobhan) and Terry Bell (Christopher) in Steppenwolf for Young Adults’ production of The Curious Incident of the Dog
Steppenwolf for Young Adults THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME
(L to R) Christopher M. Walsh (Uncle Terry/Station Policeman/Ensemble), Cedric Mays (Ed) and Terry Bell (Christopher) in Steppenwolf for Young Adults’ production of The Curious Incident of the Dog

Steppenwolf For Young Adults Showcases Moments of Wonder

The ensemble is the true unsung hero, narrating when Christopher can’t speak, adding pedestrians to the cul-de-sac or hilariously nosy onlookers to a grocery store, and holding Christopher up in the air to simulate anti-gravity, with nothing but the creative use of the bodies available. With movement creation by Dan Plehal, this audience member was immersed in a subway station, a busy city street, and outer space, without having anything resembling those locations on stage. All this being said, for this humble viewer, the true testament to this production’s collaborative efforts comes in Christopher’s monologues, explanations of scientific theories or hope and dreams. The stories are an ebb and flow of sharing responsibility, showing and telling the audience what Christopher can’t, whenever his anxiety overtakes him.

A Fugue for the Senses

Technically, this production is working in perfect sync, not only adding to and providing the wonder already happening on stage, but giving the actors and director tools to make the ordinary even more extraordinary. Thanks to scenic designer Brandon Wardell, a chair becomes a ticket window, a flashlight and a colander become the flashing ebb and flow of the Milky Way, and a column becomes a talking ATM. Even with the gorgeous work by projection designer Joseph Burke (featuring two layers of projections with clean and powerful animation), which could have been overbearing, one can appreciate how director Jonathan Berry is able to allow his team to make such imaginative stagecraft without excess extravagance. For those movie-goers who frequent the Marvel Cinematic Universe, make sure to tell your friends that you take to the show to stay past the bows for a final joyous symphony of design.

Steppenwolf for Young Adults THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME
(L to R) Rebecca Spence (Judy/Ensemble) and Terry Bell (Christopher)

Highly Recommended

Note: This is now added to the Picture this Post round up of BEST PLAYS IN CHICAGO, where it will remain until the end of the run. Click here to read – Top Picks for Theater in Chicago NOW – Chicago Plays PICTURE THIS POST Loves.

Cast:

Caroline Neff
Terry Bell
Scott Allen Luke
Cedric Mays
Rebecca Spence
Meg Thalken
Christopher M. Walsh
Eunice Woods

Creative:

Jonathan Berry
Brandon Wardell
Stephanie Cluggish
Pornchanok Kanchanabanca
Joseph Burke
Dan Plehal
Michelle Medvin
JC Clementz
Hallie Gordon

Where:

Downstairs Theater, Steppenwolf
1650 N Halsted St
Chicago, IL

When:

Friday, October 5, 2018 thru Saturday, October 27, 2018
Fri/Sat 7:30 pm, Sat/Sun 3 pm
*The October 27 3 pm performance will be a Relaxed/Sensory-Friendly performance.

Tickets:

$20-30
Steppenwolf Website

Photos by Michael Brosilow

Note: Picture This Post reviews are excerpted by Theatre in Chicago

NATE HALL
Nate Hall Photo: Jeff Day

About the Author

Nate is an actor/composer/playwright currently based in Chicago, and originally from Los Alamos, New Mexico. He is the first graduate of Texas Tech's BFA Musical Theatre program, and has been acting for over six years, performing in the Provincetown Tennessee Williams Festival and Santa Fe Musical Festival, among others. His plays have been featured in one act/ten-minute play festivals, and his musical Fade Out had it's first reading in December 2017.

See his current work at actornatehall.wordpress.com or on Facebook

Share this:

Make a Comment

Leave a Reply

Your email address will not be published. Required fields are marked *