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A spokesperson describes the event as follows:
“...Eustaquio debuts her tapestry works in the United States with Emporium, which also marks the first-ever representation of the artist's all-new series of large-scale woven rope sculptures. This body of work epitomizes Eustaquio's exploration of "marginalized materials" from the fields of craft and design—textile, fibers, ceramics, glass—and how meaning and perception become flexible through the transformation and translation of these materials.
In their flexibility and softness, Eustaquio's braided ropes and woven tapestries put forward the artist's central exploration of combining tactile, familiar, or common materials with other processes to compose questions about the world in a way that allows for amorphous and fluid ideas and perceptions, in reference to the historic, art-historical, social, and economic realities…"
