A man holds a blond wig aloft by his shoulder. On his other side, a second man gesticulates wildly. The first man punches the second; the second man doubles over; the second man runs around the first to duck under the wig, and—sporting the blond curls—leans in for a kiss.
The audience laughs…
It seems two actors playing three characters will never cease to be amusing.
This is The Ugly Blond, the play-within-a-play of the Silent Theater’s 2014 production The Dueling Gentlemen, now on YouTube. The actors never speak; instead, we hear continuous piano music performed live by Ian Custard, and watch any dialogue appear on screen between actions à la the pre-talkie films of the 1920s. Every other scene is a performance of the gentlemen’s joint vaudeville act, The Ugly Blond, which grows wilder and wilder—and further and further from the original storyline—with each rendition. In between, we see the gentlemen in their dressing room. They drink, argue, drink some more, and consider poisoning each other.
Movement and Music Replace Words in THE DUELING GENTLEMEN
The set is packed with objects: cups, clothing, an iron, makeup brushes, a poster, a picture frame… Without words to carry the plot forward, these pieces of a cluttered dressing room take on a heightened importance. In the dressing room scenes, the fourth wall acts as the gentlemen’s mirror. They stare intently out towards the audience as they comb their hair, twist their mustaches, and make funny faces at themselves.
The actor’s movements always match the piano score. When the lighthearted Ugly Blond is running smoothly, both the action and its soundtrack are staccato. When the gentlemen stare moodily into the distance, the music slows down. The pianist’s role is more than that of a typical orchestra-member; at one point the gentlemen even try to pull him into the action of their vaudeville act.
Not The Same As Live Theater
To a viewer who has become accustomed to the National Theatre’s weekly streams, the quality of the video left something to be desired. The camera shook, and the lighting often washed out the actor’s faces, making it difficult to follow the expressions that are oh-so-crucial to wordless theater. That said, the recording did bring attention to details a live audience probably wouldn’t have noticed, like the pianist’s keyboard-patterned suspenders.
As the on-screen audience gave The Dueling Gentlemen a standing ovation, this writer was left missing live theater. While the play was enjoyable over YouTube, those familiar with the typical intimacy of a black box theater may feel acutely aware how much more enjoyable it might have been in person.
If shaky camerawork bugs you, it may be best to wait until you can experience a Silent Theater production in the flesh. Parents should be aware that while the humor is very kid-friendly, the actual storyline has a focus on alcoholism. For everyone else—the next time you’re in the mood for jaunty piano music and physical comedy, try streaming The Dueling Gentlemen.
RECOMMENDED
Writer/Director: Marvin Quijada
Cast: Marvin Quijada and Dan Howard
Piano: Ian Custard
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For more information and to watch the show, visit the Silent Theater’s page for THE DUELING GENTLEMEN.
Images courtesy of The Silent Theater.
About the Author: Fiona Warnick
Fiona Warnick is a Creative Writing major at Oberlin College. She has dabbled in ballet and theater, and speaks semi-passable French. Born and raised near Amherst, Massachusetts, she enjoys reading middle grade fiction and hiking in her spare time. She is trying to get better at Scrabble.