Not only does Zak’s staging choice up the pressure of the moment, but he also helps the audience see Stu’s experience of constantly being pulled in different directions by the other characters, which only increases as the story moves on.
Scenic Designer Roger Wykes takes this element to a new level through his minimal, yet effective stage. The space itself is fairly bare, but in the back, there is a wall with a sliding door that when open, can reveal different rooms with various backdrops. Wykes allows for the quick transitions between locations, further emphasizing the idea that Stu’s story keeps moving and the audience must work to keep up. The ending result feels seamless, and appropriately allows the audience to slowly realize the convention of the diary and how they are to understand the story through both the eyes of S and Stu.
Fun Musical Numbers
The musical score of Yank is full of 1940s style pieces, and the combined efforts of the talented cast and Schoppe add a fun and often jaunty element to the musical – particularly the larger ensemble numbers.
“Light on Your Feet,” featuring the vocal talents of John Marshall Jr. as Artie, is an absolute blast to watch on the stage. The number acts as Artie’s advice to Stu on how to survive in the army as a gay man – stay flexible, uncommitted, and never commit to any one place for too long – remember to “stay light on your feet.” The piece is snarky, Marshall’s comedic timing and stage presence is spot-on, and he masters Schoppe’s choreography with ease. The fast-paced beat allows for the ensemble to showcase their movement talents as well, creating opportunities for some exceptional and comedic dance routines.
Lauren Katz is a freelance director and dramaturge, and new to the Chicago Theatre Scene. She recently moved from Washington DC, where she worked with Mosaic Theater Company of DC in Company Management, as well as directed around town with various theaters. 