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Slam poetry is no place for decorum. This is made evidently clear in SLAM: SWORDED WORDS, a documentary film by Tatiana Lohman and Roberta Estrela D’alva. The film, which explores the worldwide phenomenon of slam poetry through the experience of the Brazilian poet Luz Ribiero, takes us from São Paulo to New York to Paris, where poets perform in competitions that are as energetic as any sports event.
In bars nestled in various corners of the world, slam poets gather. Filmed in a shaky, handheld style, SLAM captures poets in their element. We watch as performers on dimly lit stages shout into the microphone and gesticulate wildly. They speak rapidly and then suddenly stop, like a distracted driver screeching to a halt at a red light. As they recite, one thought blends into a different one, tied together by a homonym. Poets deliver rhythmic pieces denouncing colonization and the patriarchy; they deliver passionate personal narratives about rape, oppression, and loss. No topic is off-limits. The crowds, meanwhile, are always engaged, whooping and snapping at lines that they find particularly resonant.
The focus of SLAM is Ribiero, who wins the national championship and goes to the Poetry Slam World Cup in Paris. A passionate activist in her poetry, she compels our attention. She speaks rapidly and purposefully, moving her body to the rhythm of her speech, all the while wearing big, eye-catching earrings. But SLAM goes beyond Ribiero, featuring many other poets throughout the film. The documentary embraces the very communal nature of slam poetry.
Interspersed between the performance scenes, poets talk about their work and the culture of slam poetry. They are constantly traveling, so plenty of footage takes place on the road. In one scene, a group of poets are in a van discussing the significance of slam. Someone leans over the back of their seat and pronounces that slam is important because it is counter to academic poetry.
With roots in jazz, slam embraces emotion, experimentation, and movement. The film’s point of view conveys that slam poetry is a cathartic and empowering genre rarely found in the classroom, which is a big part of what makes SLAM such an exciting viewing experience, in this writer’s view.
This documentary will likely appeal to fans of slam poetry and poetry in general. Those who are passionate about activism and equality for all might also enjoy this film, as it explores how art can be used to call out systems of oppression.
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Minutes:
1h20m
Direction and Screenplay
Tatiana Lohmann
Roberta Estrela D’alva
Direction of Photography
Tatiana Lohmann
Sergio Roizenblit
Humberto Bassanelli
Editing
Tatiana Lohmann
Executive Production
Marina Peuch Leão
Robert Estrela D’alva
Tatiana Lohmann
Production
Marisa Reis
Screenplay Consultancy
Miguel Machalski
Direct Sound
Bruno Lohmann Soares
Soundtrack
Robert Estrela D’alva
Eugênio Lima
Songs by
MV Bill, Mc Marechal, Liniker and os Caramellows, Ellen Oléria, Lurdez da Luz and Alexandre Basa, Karina Buhr, Frente 3 de fevereiro, Jessica Care Moore, Raphão Alaafin, MC Daleste, Metá Metá, Avante o Coletivo and Inquérito
All images courtesy of Nova Frontier Film Festival.
For more information on the Nova Frontier Film Festival where this film was featured visit the Nova Frontier Film Festival website.
About the Author: Nell Beck
Nell Beck is a rising senior at Oberlin College, where she is pursuing a BA in English. At school, she is co-editor of the literary nonfiction magazine and eats in a dining co-op. Raised in Montclair, New Jersey, she is passionate about books, art, and writing. Looking ahead, she hopes to pursue an arts-related career, travel a lot, and become a better baker.
Nominated for Picture This Post BEST OF 2020