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Enter the space of Six, which starts half a block away from Chicago’s CIBC Theatre, and fandom surrounds you. For this 80-minute musical about Henry VIII’s six wives, devotees come in their royal best – synthetic gowns, neon hair, paper crowns and metallic glitz. 21st century bling meets the 16th century king best remembered for his spouses.
If history is written by winners, Henry VIII's wives do it loudly and proudly in a show by British co-authors Toby Marlow and Lucy Moss. Henry never appears, a fact that may strike you, as it did this viewer, as a glorious win. With a badass pop score, the six women and their female band put themselves at the center of what is essentially a story of domestic abuse. Marriage to the self-indulgent king may be their source of pain – and inspiration for a classroom chant that Marlow and Moss use as opening lyrics “divorced, beheaded, died, divorced, beheaded, survived.” But as a character, Henry is peripheral.
Six’s Women Battle for the Crown of Suffering
Six’s cast of racially, physically and temperamentally diverse actresses reach out to the Chicago audience from the very beginning to elicit support. The crowd is nothing short of pumped. As the playbill makes clear, each queen is stylistically inspired by celebrity singers such as Beyoncé, Shakira, Adele, Rihanna and others. Instead of vocal superiority, they battle each other with their individual tales of woe. She who suffers the most gets to wear the crown.
These impressive performers don’t wallow, however. They take turns taking charge. With two of six wives beheaded, gallows humor here is literal. The laughs come from multiple sources, be it Storm Lever droll quips as Anne Boleyn or Jasmine Forsberg, whose sweet pipes as Jane Seymour (allegedly Henry’s one true love) make her number, Heart of Stone, that much funnier.
One visual moment brought deep belly laughs to this writer. Fourth wife Anne of Cleves came to Henry’s attention via a falsely flattering portrait by Hans Holbein. Anne’s number Get Down has each woman donning a 16th century pleated collar edged in neon and lime green sunglasses. Like the costumed folks milling beneath CIBC Theatre’s marquee, the union of period cliches and contemporary schtick keeps things crackling.
Irony Onstage for Broadway in Chicago
Ironically, the Elizabethan Era is named exclusively for Ann Boleyn’s daughter Elizabeth, who reigned for 45 years and made Britain a global power. Her dad Henry, on the other hand, reigned for 36 years and is lumped into the Tudor Era, a composite of three monarchs. While Six tinkers with many facts, others cannot be refuted. They make a strong case for female endurance. But it’s unfair to burden this show with too heavy a message. You can be a fan of nothing more specific than entertaining musicals and revel happily in Six.
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WHEN:
Now through July 3rd
For performance schedule, visit Broadway in Chicago
WHERE:
CIBC Theatre
18 W. Monroe St.
Chicago, IL
TICKETS:
$39+For ticket information, visit Broadway in Chicago
RUNNING TIME: 80 minutes without intermission
Note: Picture This Post reviews are excerpted by Theatre in Chicago.
CAST:
Khaila Wilcoxon, Storm Lever, Jasmine Forsberg, Olivia Donalson, Didi Romero, Gabriela Carrillo, Erin Ramirez, Cassie Silva, Kelsee Sweigard, Kelly Denice Taylor
CREATIVE TEAM:
Toby Marlow (co-author), Lucy Moss (co-author & co-director), Jamie Armitage (co-director), Carrie-Anne Ingrouille (choreography), Emma Bailey (scenic designer), Gabriella Slade (costume designer), Tim Deiling (lighting designer), Paul Gatehouse (sound designer). Tom Curran (orchestrations), Joe Beighton (music supervision and vocal arrangements), Roberta Duchak (US music supervision)
PHOTOS BY JOAN MARCUS
About the Author: Susan Lieberman
Susan Lieberman is a Jeff-winning playwright, journalist, teacher and script consultant who commits most of her waking hours to Chicago theatre. Her radio drama In the Shadows aired on BBC Radio 4 last season.
Editor's Note: Click here to find more Picture This Post reviews by Susan Lieberman